{"id":12,"date":"2022-05-19T12:54:00","date_gmt":"2022-05-19T12:54:00","guid":{"rendered":"http:\/\/musvis2022.lmta.lt\/?page_id=12"},"modified":"2022-11-14T13:26:20","modified_gmt":"2022-11-14T13:26:20","slug":"program","status":"publish","type":"page","link":"http:\/\/musvis2022.lmta.lt\/index.php\/program\/","title":{"rendered":"Program\/Schedule"},"content":{"rendered":"\n

The online program\/schedule may be accessed at digital publishing platform<\/strong> ISSUU<\/a>, or scroll down this page.<\/p>\n\n\n\n

The conference was broadcasted online via a youtube channel. For video record please visit the following links:<\/p>\n\n\n\n

1 day, 6 October, 2022 <\/strong>– https:\/\/youtu.be\/hfytHVTvuLg<\/a><\/p>\n\n\n\n

2 day, 7 October, 2022 <\/strong>– https:\/\/youtu.be\/WeEGMbJGywQ<\/a> <\/p>\n\n\n\n

3 day, 8 October, 2022 <\/strong>– https:\/\/youtu.be\/lx88EPnRS5U<\/a><\/p>\n\n\n\n

The conference was accompanied by 2 concerts dedicated to the centenary of ISCM (International Society for Contemporary Music). The concerts\u00a0on 7 and 8 October presented\u00a0contemporary music by Lithuanian and Japanese composers including traditional Japanese instruments shakuhachi and koto. See Concert booklet here<\/a><\/strong>.\u00a0<\/p>\n\n\n\n

CONFRERENCE PROGRAM<\/strong><\/p>\n\n\n\n

5 October 2022 PRE-CONFERENCE EVENTS <\/strong>(no online broadcast)<\/p>\n\n\n\n

14.00. Auditorium 303<\/strong> at the 2nd<\/sup> Building<\/strong>, Lithuanian Academy of Music and Theatre, Vilniaus g. 6-2, Vilnius
WORKSHOP with Zdravko Bla\u017eekovi\u0107<\/strong>
Introduction to RILM and Writing Abstracts<\/td><\/tr>
18.00<\/strong>. Juozas Karosas Chamber Hall<\/strong>, Lithuanian Academy of Music and Theatre, Gedimino pr. 42, Vilnius

PRE-CONFERENCE MEETING<\/strong>
Discussion-Round Table \u201cMusic and Musicology in the Time of Historical Turns\u201d

Antonio Baldassarre <\/strong>Lucerne University of Applied Sciences and Arts
Zdravko Bla\u017eekovi\u0107 <\/em><\/strong>City University of New York, The Graduate Center
Beata Boles\u0142awska<\/strong>–Lewandowska <\/strong>Institute of Art of the Polish Academy of Sciences
J\u0101nis Kudi\u0146\u0161 <\/strong>J\u0101zeps V\u012btols Latvian Academy of Music
Tatjana Markovi\u0107 <\/strong>Austrian Academy of Sciences, ACDH \u2013 Department of Musicology
R\u016bta Stanevi\u010di\u016bt\u0117 <\/strong>Lithuanian Academy of Music and Theatre
Nana Sharikadze <\/strong>V. Saradjishvili Tbilisi State Conservatoire<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

6 October 2022 <\/strong>(video record https:\/\/youtu.be\/hfytHVTvuLg<\/a>)<\/p>\n\n\n\n

9.15. CONFERENCE OPENING<\/strong><\/td><\/tr>
9.30. KEYNOTE LECTURE 1<\/strong>
Zdravko Bla\u017eekovi\u0107. <\/strong>Theater Curtains and Their Decorations: Their Role in Starting a Performance<\/td><\/tr>
SESSION 1<\/strong><\/td><\/tr>
11:00 Daniela Castaldo. <\/strong>The Look of the Early Modern European Travelers on the West African Music (17th and 18th Centuries)<\/td><\/tr>
11:30 Kamil\u0117 Rupeikait\u0117.<\/strong> Musical Instruments in Psalm 150: Problems of Their Iconography in Jewish Tradition<\/strong><\/td><\/tr>
12:00 Beata Baublinskien\u0117.<\/strong> Some Features of Gregorian Manuscripts from Vilnius<\/td><\/tr>
SESSION 2<\/strong><\/td><\/tr>
14:00 Sascia Pellegrini.<\/strong> Sound Unheard: the Visual Phantasmata <\/strong><\/td><\/tr>
14:30 Rebecca Pericleous. <\/strong>Childhood, Community and Memory: Benjamin Britten\u2019s Moonrise Kingdom<\/td><\/tr>
15:00 <\/strong>Lauma Mell\u0113na-Bartkevi\u010da.<\/strong>Ba\u0146uta<\/em> Resurrected: From National Romanticism to Contemporary Performativity<\/td><\/tr>
15:30 Leon Stefanija.<\/strong> Notes on Visuality in Slovenian Music: Structural Archetypes, Universals, and Imageries in Music<\/strong><\/td><\/tr>
SESSION 3<\/strong><\/td><\/tr>
16:30 <\/strong>Ketevan Chitadze.<\/strong> The Language of Graphic Symbols in Mikheil Shugliashvili\u2019s Music<\/td><\/tr>
17:00 Olena Berehova. <\/strong>Instrumental Theater as a New Concept of Musical Communication in Ukrainian Women Composers\u2019 Creativity<\/td><\/tr>
17:30 Heli Reimann.<\/strong> Making Visuals Talk: The Case of Tallinn \u201967 Jazz Festival & documentary screening<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

7 October 2022 <\/strong>(video record https:\/\/youtu.be\/WeEGMbJGywQ<\/a>)<\/p>\n\n\n\n

SESSION 4<\/strong><\/td><\/tr>
9:30 Ay\u015feg\u00fcl Beg\u00fcm Kuntman.<\/strong> Music and Color in Cinema: A Possible Collaboration<\/td><\/tr>
10:00 Kaarina Kilpi\u00f6.<\/strong> Music making and music professionals in Finnish short films, 1930s to 1950s<\/td><\/tr>
10:30 Francesco Finocchiaro.<\/strong> Silent Film Music between Interdisciplinarity and Multidisciplinarity<\/td><\/tr>
 <\/strong><\/td><\/tr>
11.30. KEYNOTE LECTURE 2<\/strong>
Antonio Baldassarre. <\/strong>Staging the Nation: The 19th<\/sup>-century Swiss Federal Singing Festivals<\/td><\/tr>
 <\/strong><\/td><\/tr>
SESSION 5<\/strong><\/td><\/tr>
14:00 <\/strong>Lina Navickait\u0117-Martinelli. <\/strong>Capturing the \u2018Romantic Hero\u2019: Musicians\u2019 Promotion and Gestural Topoi<\/td><\/tr>
14:30 <\/strong>Samuel Murray. <\/strong>Layers of Virtuosity: Guitar Performance in Walter Hill\u2019s Crossroads<\/em> (1986)<\/td><\/tr>
15:00 Neringa Valuntonyt\u0117.<\/strong> Creating an Academic Musician\u2019s Stage Persona: a Visual Representation of the Performer\u2019s Identity<\/td><\/tr>
 <\/strong><\/td><\/tr>
SESSION 6<\/strong><\/td><\/tr>
16:00 <\/strong>Bud Roach.<\/strong> Historical Performance Practice and the Rhetorical Application of Digital Media<\/td><\/tr>
16:30 <\/strong>R\u00faben Carvalho.<\/strong> The Affect of the Details: The Effects of Soundtracks\u2019 Modified Intonation on Audience\u2019s Emotional Reaction to Films<\/strong><\/td><\/tr>
17:00 <\/strong>George Kennaway. <\/strong>Art-Words-Music Relationships in Settings of Dante Rossetti\u2019s The Blessed Damozel<\/em>: How Analytically Useful is Ekphrasis?<\/td><\/tr>
17:30 Olha Lihus.<\/strong> The Phenomenon of Musical Ekphrasis in Lesia Dychko\u2019s Piano Frescoes The Ch\u00e2teaux of the Loire Valley <\/em>and The Bell of Aragon<\/em><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

8 October 2022 <\/strong>(video record https:\/\/youtu.be\/lx88EPnRS5U<\/a>)<\/p>\n\n\n\n

STUDY SESSION<\/strong>
Lithuanian History on Opera Stage: Ideologies and Representation<\/strong><\/td><\/tr>
9:30 R\u016bta Stanevi\u010di\u016bt\u0117.<\/strong> Lithuanian Historical Narrative in Opera: a Transnational Perspective<\/td><\/tr>
10:00 Helmutas \u0160abasevi\u010dius.<\/strong> Illustration vs<\/em> Interpretation. Strategies of Representing Lithuania on the Opera Stage<\/td><\/tr>
10:30 J\u016brat\u0117 Katinait\u0117.<\/strong> Lithuanian Opera Under Soviet Rule: Were There Any Success Stories?<\/td><\/tr>
 <\/strong><\/td><\/tr>
11:30 KEYNOTE LECTURE 3<\/strong>
Tatjana Markovi\u0107. <\/strong>From Historical Verisimilitude via Avant-Garde Fairytale to Digital Archeology: Concepts and Technologies of Opera Set Design<\/td><\/tr>
 <\/strong><\/td><\/tr>
SESSION 7<\/strong><\/td><\/tr>
14:00 Agn\u0117 Ma\u017eulien\u0117.<\/strong> Musical Time in the Score: Obscurity or Obviousness?<\/td><\/tr>
14:30 Yusuke Ishii.<\/strong> The Aspect of Timbre in the Graphic Notation of Vytautas Bacevi\u010dius Graphique<\/em>, Op. 68 (1964) for Orchestra<\/td><\/tr>
15:00 Baiba Jaunslaviete.<\/strong> Manifestations of a Composer\u02bcs Stylistic Individuality through Multimedia Compositions: The Case of Gundega \u0160mite<\/td><\/tr>
15:30 John Dante Prevedini.<\/strong> Augenmusik as a Digital-Age Art Form<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

The online program\/schedule may be accessed at digital publishing platform ISSUU, or scroll down this page. The conference was broadcasted online via a youtube channel. For video record please visit the following links: 1 day, 6 October, 2022 – https:\/\/youtu.be\/hfytHVTvuLg 2 day, 7 October, 2022 – https:\/\/youtu.be\/WeEGMbJGywQ  3 day, 8 October, 2022 – https:\/\/youtu.be\/lx88EPnRS5U The conference was accompanied by 2 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/musvis2022.lmta.lt\/index.php\/wp-json\/wp\/v2\/pages\/12"}],"collection":[{"href":"http:\/\/musvis2022.lmta.lt\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/musvis2022.lmta.lt\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/musvis2022.lmta.lt\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/musvis2022.lmta.lt\/index.php\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":25,"href":"http:\/\/musvis2022.lmta.lt\/index.php\/wp-json\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":148,"href":"http:\/\/musvis2022.lmta.lt\/index.php\/wp-json\/wp\/v2\/pages\/12\/revisions\/148"}],"wp:attachment":[{"href":"http:\/\/musvis2022.lmta.lt\/index.php\/wp-json\/wp\/v2\/media?parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}